Zinnia party

 

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This time of year there is such a wonderful cacophony of color and texture in our studio and at the farm! It is the finale display of the entire year, a time when we say good bye to our urban goat neighbors, ( they live on a farm downstate in the winter) and begin cleaning up the farm and bedding it down for the winter with manure mixed with straw from the goats.  These cuties dine on produce donated from our local Whole Foods and manure from their stalls enriches our soil with nearly magical results.

I always say bouquets should have plenty of movement, and these white astilbe are a great way to add a little flounce, along with these stunner ranunculus in oxblood. One of our MVPs this year were these heirloom Persian Carpet Zinnias, also called Mexican zinnias or narrow-leaved zinnias. Having bicolored single and double flowers in gold, burgundy, cream, red and orange and blooming throughout the summer, we found them irresistible along with these Giant lime zinnias in green.

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Constance Spry

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magenta hazel and the arch

 

When working with red I always think of Constance Spry, the legendary English social reformer and society florist whose heyday was in the 1930’s and 40’s. Famously introducing vegetables, weeds and found objects as vases to the art form, ¬†she was essentially to flower arranging what the sex pistols were to rock-n-roll. When discussing the color red she says,

” Striking and beautiful effects may be obtained by mixing strongly contrasting shades of red and by adding fruits and berries. You get brilliance rather than hardness by combining many shades and tones in an arrangement; rose, vermillion, crimson, magenta and so on to provide a strong, warm effect that is comparable in color to the sound of a trumpet blast.”

She goes on to strictly advise that when sending flowers to men, one must use entirely red flowers… what could be more brilliant?

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